ABOUT
For over 30 years, Charlotte Blake Alston has graced stages in venues throughout North America and abroad. Venues are wide and include the John F. Kennedy Center for the Performing Arts, the Smithsonian Institution, the Kimmel Center for the Performing Arts, Symphony Orchestra Narrations and at regional, national and international Storytelling Festivals. She is a frequent guest artist in universities, grade schools, museums and cultural arts institutions around the country but this former elementary school teacher also presents in Day Care Centers, for Special Needs populations as well as prisons and youth detention centers.
Charlotte breathes life into traditional and contemporary stories from African and African American oral and cultural traditions.
Her storytelling skills were honed in childhood when her father introduced her to the work of African American poet, Paul Laurence Dunbar. Her solo performances are often enhanced with traditional instruments such as djembe, mbira, or the 21-stringed kora. In 1999, Charlotte began studying the kora and the West African history-telling traditions of Senegal, Mali, Guinea and Guinea Bissau. Her teacher was the highly respected Senegalese griot (jali), the late Djimo Kouyate. She later resumed her studies with Malian Virtuoso Yacouba Sissoko. Her story-telling repertoire is varied and programs are adapted to any grade level or age group.
In 1991, Charlotte became the first storyteller to perform with the Philadelphia Orchestra on both their Family and Student concert series. Thirty seasons later, in 2021 she was named: The Philadelphia Orchestra’s Official Storyteller, Narrator and Host.
Since 1994, she has been the host of “Sound All Around”; the orchestra’s preschool concert series and continues to appear as a guest host and narrator on family, school and subscription concerts. For 6 seasons, Charlotte hosted “Carnegie Kids”, Carnegie Hall’s Preschool concert series. In 1996, she became the Host and Pre-concert Artist for the Carnegie Hall Family Concert Series, a role that continued for 17 consecutive years. . She represented Carnegie Hall in 2003 when she hosted a series of concerts in Miyazaki, Japan with the Eddie Arron String Quartet and fellow storyteller, Motoko.
She has been a featured artist at both the Presidential Inaugural Festivities in Washington, DC and the Pennsylvania Gubernatorial Children’s Inaugural Celebrations in Harrisburg, PA.
She has been a featured teller at The National Storytelling Festival, The National Festival of Black Storytelling, and at regional festivals throughout North America and abroad including festivals in Accra Ghana, Cape Clear Island Ireland, Cape Town South Africa, São Paulo Brazil, Graz and Vienna Austria and Basel Switzerland.
She has been a featured narrator for several orchestras and conductors including The Philadelphia Orchestra, The Orchestra of St. Luke’s, The Cleveland Orchestra, the Saint Louis Symphony, the Baltimore Symphony Orchestra, the Boston Symphony and the Los Angeles Philharmonic
Ms. Alston has produced several commissioned works for orchestras and opera companies including original narrative texts for Carnival of the Animals and Scheherazade.
She has been a commissioned librettist for The Philadelphia Orchestra and The Commonwealth Youthchoirs. The Children’s March, a 90-minute work commissioned by Singing City Choir, retells the story of the children’s crusade in Birmingham in 1963. The work premiered to critical acclaim at the Philadelphia International Festival of the Arts (PIFA) in 2013.
She also crafted a text with multiple story lines for a unique set of Choose Your Own Adventure concerts for school and family audiences for the Philadelphia Orchestra. In this one-of-a-kind concert, the audience gets to choose which direction the story line will go!
A collaboration with the Carolyn Dorfman Dance Company produced DanceStories; a work in which the choreography is set to her live storytelling.
Charlotte’s narrative voice can be heard on documentaries including Plenty of Good Women Dancers, The Peddie School, and Crosstown. In the PBS documentary Safe Harbor, producers proclaim her “strong, steady voice is like a lantern in the darkness”. She has narrated two shows at the Franklin Institute’s Fels Planetarium – Under African Skies and Stars of Wonder. She herself was featured in the award-winning documentary Family Name that aired around the country on PBS. She is the narrative voice of a series of Maternal and Newborn heath training videos produced by Global Health Media. These critically impactful videos have garnered several hundred million views.
Ms. Alston has received numerous honors including the prestigious Pew Fellowship in the Arts. She was selected as Philadelphia Magazine’s “Best of Philly” and was the recipient of the Commonwealth of Pennsylvania Artist Of The Year Award (The Hazlett Memorial Award), which recognizes individual artists “for excellence in the Commonwealth.” She holds two honorary PhDs and received the Circle of Excellence Award from the National Storytelling Association. She is a recipient of the Zora Neale Hurston Award, the highest award bestowed by the National Association of Black Storytellers. In 2021 she was named the Philadelphia Orchestra’s “Official Storyteller, Narrator and Host” marking an association that has spanned over 30 years.
PRESS
“Charlotte’s Performance was truly the jewel in the crown of our Women’s History Month celebration” — Leslie Stiles, Executive Director, Pennsylvania Commission for Women
“Your storytelling displays a masterful simplicity that engages children’s imaginations, teaches them about African and African-American cultural heritage, and expands their vocabulary.” — Sheila Kerrigan, Coordinator of Education and Community Programs Duke Performances, Durham, NC
“A joy to work with! Her dynamic narration [at Carnegie Hall with The American Composers Orchestra] was imbued with passion and musical sensitivity.” — John Morris Russell, Associate Conductor of the Cincinnati Symphony Orchestra
“Charlotte’s incredible presence and cleverness unifies audiences of all ages and backgrounds by drawing them in emotionally through her enchanting gifts of communication.” — Mark Laycock, Guest Conductor, The Philadelphia Orchestra
“Mesmerizing” — Shepherd College, WV
“Superb, spellbinding…” — Walters Art Gallery, Baltimore, MD
“…your performance art gives the entire field of children’s performing arts more integrity.” — Sue Buratto, Education Director, Bass Hall and Performing Arts Fort Worth
“Impressive…” — Detroit Institute of Arts, MI
Honors, Awards & Accolades
Circle of Excellence (National Storytelling Network)
Commonwealth of Pennsylvania Artist Of The Year Award (The Hazlett Memorial Award)
Pew Fellowship
Seton Hill College Honorary Doctorate
LaRoche College Honorary Doctorate
Philadelphia Magazine's "Best of Philly"
Zora Neale Hurston Award (National Association of Black Storytellers)
NARRATIONS & COMMISSIONS
Choir, Symphony Orchestra, Ensemble, Opera & Media Narration. Includes standard repertoire, recently created and original texts *Asterisk denotes commissioned work
Charlotte is frequently invited to perform with symphony orchestras as guest host, narrator, or storyteller. She has also been commissioned to write narrations for a number of orchestral works.
Anansi and the Moss Covered Rock
Babar (Poulenc)
Capture -POPG
Carnival of the Animals (Saint-Saens)
(Versions: Ogden Nash, Peter Schickele, Original)
The Children's March (Bleckner)
(Original Libretto)
The Cricket’s Cage
-Chinese Music Ensemble of New York at Carnegie Hall
Come Sunday*
(Original text, 2nd Movement of Ellington’s Black, Brown and Beige)
Excerpts of MLK Dream Speech to the Barber Adagio for Strings
The Fanfare King An original Story
-for the Weill Music Institute at Carnegie Hall for Musical Explorers concerts
God’s Trombones (James Weldon Johnson)
Jack and the Sleeping Musicians
-for the Weill Music Institute at Carnegie Hall for Musical Explorers concerts
Kabo Omowale: Welcome Home Child (Clearfield) (Original Libretto)
King David (Honneger)
-with the Singing City Choir
A Lincoln Portrait (Copland)
Margaret Garner: Concert Text
-for the Opera Company of Philadelphia’s concert version of Tony Morrison’s full opera, Margaret Garner
Origin of the Bamboo Flute
Peter and The Wolf (Tchaikovsky)
Susan: From Positive Women (Vandervelde)
SARAH, from Women of Valor (Clearfield)
(Spoken Text by Ellen Frankel)
Scheherazade (Rimsky-Korsakov)*
(Original Text for Movements 1 & 4)
Symphony #4 (Kaddish Symphony) (Bernstein)
The Firebird Suite (Stravinsky)
Narrative text by Neal Gittleman
The Good Raised Up (John Blake, Jr.)
The Commonwealth Youthchoirs, Original Libretto
The Incredible Flutist - Piston The Life and Times of Richard Allen (Stage Production)
Young Person’s Guide to the Orchestra (Britten)
Vanqui: Concert text
-for Opera North’s concert version of John A. Williams’ full opera Vanqui.
(Concert narrated by Avery Brooks)
Organizations
1807 and Friends Chamber Music Ensemble
Allentown Symphony Orchestra
Ambassadors' Chorale and Ensemble
The Baltimore Symphony
The Boston Symphony
Carnegie Hall Jazz Band
Chinese Music Ensemble of New York
The Cleveland Orchestra
The Commonweatlth Youth Choirs
The Delaware Symphony Orchestra
Fels Planetarium: The Franklin Institute, Philadelphia, PA
Huntingdon County Arts Council
Indianapolis Symphony Orchestra
The Los Angeles Philharmonic
Mt. Carmel Baptist Church Choir
The Memphis Symphony Orchestra
The New Jersey Symphony Orchestra
The Opera Company of Philadelphia
Opera North
The Orchestra of St. Luke’s
Orpheus Chamber Orchestra
The Philadelphia Orchestra
POPG (Philadelphia Orchestra Percussion Group)
Saint Louis Symphony
Singing City Choir
Smithsonian Institution: Museum of American History